The Last Tourist (2021)

THE RED SEA MIRACLE 2 continues to raise big questions about biblical miracles. How could thousands of feet of water be parted at the Red Sea? Or was the sea…

David Blaine’s signature brand of street magic mystifies the most recognisable celebrities in the world, such as Jamie Foxx, Bryan Cranston, Aaron Paul, Ricky Gervais, Katy Perry, Woody Allen, and…

Matt Lucas celebrates 50 years of The Mr Men and Little Misses, telling the amazing story of the colourful little characters who changed global publishing forever.

Key figures from an infamous 2004 incident between players and fans at an NBA game in Michigan discuss the fight, its fallout, and its lasting legacy.

For over 70 years Colombia has been subject to an internal armed conflict whose demarcation lines seem to have become blurred over time. An insidious creeping violence has gradually pervaded…

Ambushed by Ulster loyalists, three members of the Miami Showband were killed in Northern Ireland in 1975. Was the crime linked to the government?

On Easter 2018, a man put on a backpack and began to walk across Armenia. His mission: to inspire a velvet revolution and topple the corrupt regime that enjoys absolute…

A joyful and surprising journey into the fascinating world of toddler pop, exploring why kids’ music is so catchy, can be deeply meaningful, and how AI is taking hold and…

Like all musicians in 2021, Nick Cave was unable to connect with his audience in person. He uses this concert film to break the vocal and instrumental silence, talk about…

It’s based on the events of 6 April 1966, where, in the Melbourne suburb of Westall, 200 students, staff and local residents watched as a strange object hovered overhead for…

This video release by Depeche Mode features almost an entire concert from their 1993-1994 Devotional Tour, filmed in Barcelona, Liévin and Frankfurt.

The conflict between Dole Food Company and Swedish filmmaker Fredrik Gertten unfolds dramatically in the documentary “BIG BOYS GONE BANANAS!” as the corporation attempts to suppress Gertten’s earlier film, “BANANAS!”—chronicling…