Robert Breer’s What Goes Up… continues his “kitchen sink” approach of including as many different kinds of things as possible. Central to his art are a series of tensions. Rather…
Personal photos are interspersed with fragmentary drawings and flashes of colour, observed and/or remembered everyday events – all of which add to a general sense of reminiscence. Sometimes a hand…
Conceivably the best of all of Breer’s films to date – has more to do with figuration, according to Breer’s formulation regarding titles with letters or numbers. This becomes clear…
An abstract view of a seacoast landscape, created by mixing original line drawings and rotoscoped imagery traced from live-action footage, presented against a sound track of seaside noises.